The Namecaster

The village has waited three seasons for this day.

Bent like watsonias blowing in a field, she comes down from the mountains on the winding path. Her arrival is announced in whispers which travel from hut to hut until knowledge of her presence reaches the ears of everyone.

"Crack! Crack!" says her walking stick against the ground. The dirt and dust dance at her bare feet. The villagers sing, shake their shiny kalloos, and beat their drums in her honor. Like tiny white seeds, her teeth appear. She is pleased with the reception.

The village is silent as she stops in front of the hut of Tamubu and his family. She circles it four times, chanting the familiar words:



"The moon and the stars
have called out to me!
The sun and the clouds
have called out to me!
The ground and the seas
have called out to me!
The lion and the ant
have called out to me
The ancestors and gods
have called out to me
and they have told me your names!"


Tamubu's wives bow before her then run to slaughter five goats for the ceremonial feast. Four goats for each of the child's names and one goat for the Namecaster.



Tamubu throws more wood upon the fire. He puts a newly woven mat nearby so the Namecaster will be comfortable when she reads the flames and receives his son. Tamubu bows low and averts his eyes as she enters the hut.


After three season's wait, she is here and the young son of Tamubu will receive his names at last. And Tamubu bows again and again before her; his heart beating in welcome and in happy anticipation.
###
Story by Pamela Tyree Griffin
Excerpt from the upcoming book of fiction:
"The Namecaster and Other Stories of Traditional Superstition"
Photo by Sofia Henriques

A Lifetime


After thirty years of marriage, raising three kids, burying a lifetime of pets in the backyard and making ends meet, the day has arrived.

But...

It has arrived not adorned in the selling of this house to buy another in Florida for our retirement.

It has arrived not sadly as we kiss goodbye the grandkids.

It has arrived not even twirling in hilarity as I don a bathing suit that hangs slack around my ample breasts out of proportion to my body...

Instead...

It has arrived with you in a wheelchair, not knowing where we live.

It has arrived with you staring puzzled at a picture of your own children.

It has arrived with your sudden fear of any water even in the sink or bathtub.

So...

After thirty years of marriage, raising three kids, burying a lifetime of pets in the backyard and making ends meet, the day has arrived.

I know I said ‘till death...But whose death were we talking about?

Surely widow’s weeds would have been better than this.
###
Poem by Pamela Tyree Griffin Previously Published in Salome
Photograph by Craig Toron

(For more stories and poems click "older posts"! or the links at the end of the page)

Then All Was Oblivion




His cape afloat behind him, the man stumbled down the street a mumbling, incoherent hulk. He didn’t know what time it was though the autumn evening allowed just enough moonlight for him to see.

His head ached and his chest burned-or was it the other way around?

Usually his body, containing a given amount of absinthe, reacted so sweetly. Thus, he concluded, he was not full of the drink. and why he had not taken a carriage home, he didn’t know. Why had he made the supreme error of walking on legs as uncooperative as the laces on a woman’s corset?

He decided to sit on the curb for just a moment before laboring on. In response, his stomach revolted and sent out an abundance of foodstuffs eaten hours before. He felt better. Try as he might though, he could not stand.

A blurry someone approached him, saying something he couldn’t understand. He fainted again and began to commune with the occupants of his expansive and tortured dreams.

He vowed to never leave them.


The October 10, 1849 issue of the Baltimore Clipper newspaper devoted an entire column to the death of the writer Edgar Allan Poe who had been found unconscious on the sidewalk days before.


###
Story by Pamela Tyree Griffin
Previously Published in Doorknobs and Bodypaint
Photograph by: José A. Warletta
(For more stories and poems click "older posts"! or the links at the end of the page)

THE ENDING



This is my undoing, my ending.
My mouth will no longer say anything- let alone goodbye.
I know that your hand grasps mine as does your heart.
That I do not move or speak, means nothing.
I know you are here. I know you are with me.
Soon, I will escape this prison.
I will be a big part of what you remember and a big part of what you may want to forget.
My love for you is a great as the sky and just as beautiful.
My thanks to you is bigger than any world, and just as beautiful.
I will know you always. This goodbye is only temporary.
I will be waiting joyously.
I will be waiting - just to say hello to you again.

###


Poem by Pamela Tyree Griffin
(From My Hospice Experience)
Photograph/Graphic by Asif Akbar
(For more stories and poems click "older posts"! or the links at the end of the page)

Fare Thee Well


In southern bound undulation,
they float on unsteady breeze -

their black wings
stretching to the horizon.
Their path
lengthy
and
rising
and
dipping,
then rising again...
Chased to the far beyond
by frost and damp and inner
timepiece.
Their disappearing cries beg us believe
that as surely as the sun will rise again
they too shall return -
on the other side
of winter.

###

Poem by Pamela Tyree Griffin
Photograph by Brandon Bankston
(For more stories and poems click "older posts"! or the links at the end of the page)

"MAXWELL"


Amelia and Helen got ready.

“We can’t be late,” said Amelia who rustled about like a bag of shredded paper. ”I’m sure he’s expecting us.”

Helen nodded in complete agreement while adjusting the festival of feathers that was her hat. “He always liked this hat,” she said.

Elsewhere a man sat up in bed. “I’m leaving today,” he said to the empty hospital room.

Across his bed, slivers of sunlight were created by the half closed blinds. Yet from that window he could see marigolds, roses and tulips. Their colors spoke to him of spring and beauty and life.

Amused by the silly and curious chatter of the squirrels, his whole body was a convulsion of chuckles. The birds, he didn’t know what kind they were, settled on the bird feeders. He could hear their staccato pecking at the food.

He reached one gnarled hand up to his weathered face and wished he’d gotten a shave beforehand. “Too late for that now,” he thought as he inserted his gleaming false teeth. His hair was a perfection of grey snarls – too late to do anything with that either.

At least he was clean. Clara, his home health aide, had always seen to that. She was a great lady, making trips to the hospital even though she didn’t have to and was not paid for such. She came every few days if only to visit with him. He would miss her.

He loved to hear her shuffling footsteps coming down the hall and seeing her ample frame squeeze its way through the doorway. She was like a locomotive slowing down for the next stop She was not just an employee - she was something more but just what it was, he could not name.

He never heard his Aunt Amelia and Aunt Helen, his favorites, come into the room. They were just as he remembered. When he saw his Aunt Helen’s hat, he was as gleeful as a little boy. His giggles belied his 92 years.

“Aunties – I knew you were coming. I dreamed of you both – so I knew.” The sound of his voice startled him. After the stroke, speaking had not been possible-yet here he was doing just that.

“Good dear. You’re ready then.” Helen said. “Everybody is waiting to see you.”

Maxwell rose from the bed and, taking their hands, began to dance to a waltz not played in more than fifty years and heard only by them. And then they were off, spinning and spinning some more, upward to and through the clouds like butterflies set free.

Their laughter rolled over the gardens and reached the birdies and squirrels. The flowers saluted them with gold, maroon and yellow petals which danced on the waves of the wind before fluttering back to earth.

Maxwell was going home.
###


Story by Pamela Tyree Griffin
Published in Pond Ripples September 08
Photograph by: Nat Arnett
(For more stories and poems click "older posts"! or the links at the end of the page)

The Swing

Ellen stood at the back door and looked at the swing. The strong autumn breeze pushed it back and forth and she imagined she could hear the children's laughter: Hal Jr.'s loud bellows and Anna’s soft giggles. Hal had put the swing there for them and then hopefully for their children. He didn’t live to see any of them grow up.

Cancer claimed him finally on a night much like this one some fifteen years ago. Ellen had opened their bedroom window so he could feel the crisp fall air across his wasted face. He’d asked whether she thought Mother Nature’s paintbrush had worked her magic again and she, looking out at the oranges and reds of the maple tree, agreed that indeed the paint brush had been especially masterful.

For about an hour that evening they’d talked, until he felt parched and wanted a glass of water.

“But before you go,” he’d said, in a voice that was like a whisper on the wind, “promise me that after I’m gone, you won’t let that swing sit idle. If you ever want to talk to me, just go to the swing.” She’d nodded and drew herself up into a tight ball inside.

She knew he was saying goodbye and she could not bear it. Deep in her heart she knew that when she returned to the room, he would be gone, soaring to heights the swing would never reach.

Without looking back or calling out to him, she took off her apron and walked into the yard. She sat on the swing and moved as if her beloved were sitting with her as always. Anyone looking that night would have thought her mad, with her dress flapping, deep rivers of tears flowing from her eyes.

For fifteen years she’d gotten used to being a widow, making a life out of what remained. She raised the children, saw them through college. She celebrated their birthdays, weddings and rejoiced in the births of her grandchildren.

With each new development whether major celebrations like these or minor occasions liked the scraped knees, PTA meetings or getting herself a job - she made a pilgrimage to the backyard and settled onto the swing. This is where she felt closest to Hal. It didn’t matter how good or bad the weather, she talked to him right there.

Tonight was no different.

Ellen had decided to remarry. A chance meeting at her high school reunion had led her to John a man she had barely known in their senior year. She remembered him as a gawky boy with bad skin and big glasses. A widower, he’d grown into a tall, handsome man who wore contacts.

At the reunion, he’d asked her out to dinner at the new French restaurant where they talked for almost until closing. She had no idea how he felt but she knew she’d felt such giddiness only once before in her whole life and with only one man. She had never allowed herself to think it could happen again.

That dinner led to other happy dates and eventually getting married seemed like the only thing to do. Happily she would be leaving the house that had grown so large and ill fitting around her. Sadly she would be leaving behind her beloved swing.


II

Helen knew deep inside that the swing had been only a means to think through her problems; that Hal was no more there than anyplace else on earth except, of course, in her heart. But she also knew that because of his final advice, the swing had given her time to shake off some of the sadness and seriousness of her widowed life. It had allowed her many moments of happiness. Because of the swing she had been able to put her life back together after Hal’s death. And now that she was leaving, Ellen tried to think of all the ways she could possibly thank Hal.

When finally it was time to go, Ellen took one last look around the house and then walked out to her special spot. She stayed so long that Charles had to go out and see about his wife who was fiddling with the swing. He took her hand and they made their way to the car. When they drove away, they looked only forward. Ellen hoped the house would not be empty long.


III

Not long after, the new family moved in. While eating dinner, the little boy pointed to something glittering in the yard. Curious his parents put down their forks, picked up the little boy, ventured out to where the swing was moving, as if pushed by unseen hands. There they spotted, on the seat back of the swing, the source of the shine: A golden engraved plaque which read:


There isn’t any problem
there isn’t any thing,
that can’t be thought out
back and forth
from right here on this swing!

With Love and Peace from Ellen and Hal
To You and Yours 2008



They placed the little boy on the swing and sat on either side of him. They began to swing, slowly, gently: The mother supporting the boy to prevent a fall, the father's arm stretched around both of them.

And although they didn’t know it at the time, a lifetime of thinking was ahead of them... And it would all happen right there under the maple tree, right there on the swing.
When the boy's little baby teeth formed a smile and his laughter filled the air like balloons racing across the sky, they knew for sure that this house had already become home.


###


Written by Pamela Tyree Griffin
Photograph by Kristine Beebe

Fifth Session



Some days it's almost ok. Some days I manage to get up and get going. I finally went back to work after three months extended leave and it was good to get back except - except people kept acting like nothing happened. Like someone pulled them all into a room and told them to pick up where they left off. From before I got the news.


But you don't have to hear about that again. Me? I'd rather talk about the laundry.


You see I washed clothes yesterday - I've put off doing Jim's until about a month ago. And even then I would only wash a thing or two. I mean I'd do a bunch of clothes for the kids and me and maybe wash one of Jim's socks-just one. One Sock. Crazy huh? Well of course you wouldn't say I was - even if you thought so.


I've been keeping all his dirty clothes in the basket my Aunt Della gave us for our wedding. That rose garden is beautiful...when I first started coming here everything was covered with snow...did you plant it?


Oh yes the basket. She made it just for us. Has our names woven into it - a red heart with our names, also in red, woven right into it like it was bleeding. Jim said it was her subliminal way of pointing out her distaste for our liberal attitudes. Aunt Della is a card carrying, Bible toting, from the womb conservative Republican.


We thought that basket was so damned ugly that we used it to hold rolls of toilet paper and cleaning stuff in the downstairs bathroom! Whenever Aunt Della visited us, we pulled it out, put a bunch of magazines in it and put in the living room like we used it all the time. God we used to laugh about that. Oh boy, I think I'll take you up on that offer of another tissue now. Thanks.


I know - I know... Where was I?


Yes. Well yesterday when I did the clothes I realized that the basket was empty. Empty. I was frantic - why didn't I notice it was empty? I was so upset; I cried most of the day. The kids were with my mother so they didn't see me.


As long as Jim's clothes were in that basket, could smell him. I could feel where he'd been-even in his old smelly socks. Some nights I dumped the whole pile of clothes in bed with me and covered myself in them. Cover myself in Jim.


And now the last piece is gone. No ceremony, no notice on my part.


The fact that I hadn't noticed is worse than finishing the last of his clothes. All of him is gone; all of what he smells like, gone.


And I didn't even notice...


###


Story by Pamela Tyree Griffin
Photography by Inga Galkinaite

Nearest Living Relative


I am the Nearest Living Relative.


A nasal toned woman on the other end of the phone informs me of this. My uncle George, whom I never knew because he died before I was born, left behind a wife I can’t remember. Why the hell did I break my rule about not answering the phone once vacation starts?


This woman tells me that my “Aunt Gladys” was discovered by neighbors at four in the morning, as she paraded down her driveway buck naked and singing the Battle Hymn of the Republic. When approached, she mooned them; a vision given that she is 72 years old.


Social Services has conducted a full investigation, whatever that means, and I have been found. At 35 years old, an unmarried, childless, professional, I have only recently found myself.


“When,” she demands, “will you get here?” It seems that Gladys has to go into a nursing home. I need to sign something which can't be simply faxed.


I try to diminish my involvement in this situation though nothing works. My parents and their parents are dead. Neither I, nor they, have any siblings of which I am aware. My only other relation, my Uncle Sal, is in a Wisconsin (or is it Idaho?) nursing home sustained by his own excellent financial preplanning. I haven’t seen him since dad’s funeral years ago. He was in a wheelchair then.


Later, I search the photo album I inherited after my dad died. In it, I finally find three black and white pictures glued to a musty page. At the bottom of the page is one word: “Gladys”. Then I remember.


Each picture shows a svelte, smiling woman with a hand on her hip. She wears an obscenely (mom's word not mine) short white dress emblazoned with sunflowers. Her blond hair is piled on the top of her head like spiked cotton candy with a cigarette hanging from the corner of her mouth. In one she’s dancing in our kitchen with a mop.

The pictures were taken when I was about eight or maybe ten. Gladys came late, dressed in an obscenely (mom's word not mine) short white dress emblazoned with sunflowers.


She called me “kid” instead of Lisa. I guess calling, “Hey Kid!” was easier than remembering my name. “Hey Kid! What grade are you in?” or “Hey Kid! Like hamburgers?” or "Hey Kid! Come sit by me and let me tell you all about men!" Except for my mother calling her a pistol, nothing else shakes loose from my mind. This is the sum of what I know about Gladys. Such as it is, it brings an involuntary smile.


However reluctantly, I don the mantle of the Nearest Living Relative, cancel my singles cruise and drive the almost 300 miles south to Virginia.


I don't have a problem finding the hospital since it's on the main drag. Actually, there is not much else except the hospital. I slowly walk down its linoleum floors thinking I should be walking down a beach in Jamaica. A white haired and wobbly security guard tells me to follow the yellow stripe on the floor. It eventually leads me to the sunroom where the Alzheimer’s patients spend the day.


I open the door and immediately hear a raspy, “Hey Kid!” coming from a small lady in a wheelchair. Her hair, now white, looks much less styled by Albert Einstein than I remember it. She is composed. She is looking at me when she again says, “Hey Kid!” I can’t believe it. Could it be that Gladys remembers me?


I go across the room and sit by her, taking one of her liver spotted hands in mine. Her fingernails are painted a stunning red. She is the thin woman in the pictures. She has a lot of wrinkles now and the right side of her face is slack-maybe from a stroke, but it’s her.


I don’t know why but thoughts pour out as if from an overturned pitcher. I imagine that, since it’s clear that she remembers me, we might have a chance here. I project us to my small house for our own celebrations. Scenarios abound of us sitting on the front porch sipping tea or something stronger, going for walks and the like. I’m lost in this sort of revisionist future when the door opens and a nurse enters the room.


And that’s when Gladys yells, “Hey kid!” and I see that she is no longer even looking at me but is totally and absolutely focused on the nurse.


To every single person who enters (including her Nearest Living Relative a few moments before) she calls out the salutation that has carried her this far, this many years: “Hey Kid!”


I watch each recipient smile at the greeting, wondering what they think, and knowing what I know.

###

Written by Pamela Tyree Griffin
Photograph by Blake Campbell

Nametag


Nametag:
"Hi My Name is Delia and I'm Twelve Years Old"

Nobody wants the big ones.
They say different but it's all a lie.
The younger, the better, is what their eyes say.
Eyes don't lie.
The cutoff point starts around five-
then your options decrease.
From the display, the little ones are chosen.
Carefully selected
and are more often than not
taken away
to live lives of
happiness presumed.
We big ones
are returned to wait
for the next time.
to hope
and hope
we'll be
the exception to the rule.
###
Poem by Pamela Tyree Griffin
Photograph by Charlie Balch